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Chapter 5 - The Sound of Broken Glass

The index card taped to Lily’s flash drive had listed three names. The first was Julian Vance. The second was an administrative ledger code. The third was a phone number scribbled under the initials M.C.

I sat in the cab of my truck, parked under the heavy canopy of an oak tree three blocks from the administration building. I pulled my old prepaid flip phone from the glove compartment—an unregistered line I kept for emergencies—and dialed the number.

It rang four times. Then a trembling, ragged breath answered.

"Hello?"

The voice belonged to a young man. He sounded terrified, out of breath, like someone who had been running up stairs.

"Are you M.C.?" I asked.

A sharp intake of air. "Who is this? How did you get this number?"

"My name is Daniel Mercer. I’m Lily’s father."

Silence. Dead silence. Across the line, I could hear the faint, ambient hum of traffic and the persistent rhythmic thud of an exhaust fan.

"Oh God," the boy whispered, his voice cracking. "Is she... is she alive?"

"She’s in the ICU. She survived the night."

A sob broke from his throat, muffled by a sleeve or a hand pressed hard against the microphone. "They told me she was dead. Someone in the fraternity group chat said she was found dead by the river."

"Who told you that?"

"I can't talk on the phone," the boy stammered, panic spiking his cadence. "They’re watching my dorm. I had to leave my laptop and my car. I’m using a burner from the gas station."

"Give me an address," I said. "Right now. I’ll come to you."

"The old train depot on Adams Street. The repair shed behind the rusted boxcars. If you're not here in twenty minutes, I’m getting on a bus to Chicago."

The line clicked dead.

I fired the engine of my pickup, threw it into reverse, and cut through the backstreets of Peoria. Adams Street sat in the industrial shadow of the river, an expanse of decaying warehouses, scrap yards, and forgotten railway spurs where heavy freight had once carried coal and machinery.

The repair shed was a cavernous structure of corrugated tin and broken safety-glass windows. Rain from the previous night still dripped from the rusted eaves into muddy puddles between the ties.

I parked behind an abandoned freight car, killed the engine, and slipped my combat utility knife into my waistband behind my belt buckle. Old instincts don't die; they just wait for the right frequency.

I entered through an open loading bay. Dust motes drifted through shafts of grey morning light.

"Mercer?" a voice hissed from the shadows.

A kid stepped out from behind a stack of rotted wooden pallets. He was barely twenty, wearing an oversized winter parka, wire-rimmed glasses held together at the bridge by a piece of electrical tape, and running shoes caked in wet clay. His hands shook violently.

"You're Marcus Cole," I said, recognizing the byline from Lily’s campus articles. "Lily's photographer."

"Daniel Mercer," he breathed, looking me up and down. He saw the scars on my knuckles, the posture, the cold stillness in my face, and visibly exhaled some of his terror. "She said you were retired. She said if things ever went sideways, you were the only person who wouldn't compromise."

"Show me what you have, Marcus."

Marcus reached into his parka and pulled out a small hard-shell camera case. Inside was an SD card, wrapped in foil.

"Lily didn't just stumble onto Julian Vance," Marcus whispered, his eyes darting toward the open door of the warehouse. "We were working on an exposé for three months. Everyone on campus knows about the parties at the Delta Kappa house. But it wasn't just alcohol and hazing. Julian and three other sons of prominent donors were running a designer narcotics distribution ring out of the university’s biological sciences supply chain."

"Ketamine and fentanyl precursors," I said, connecting the dots from Lily's note.

"Stolen from research shipments before the university logged them into inventory," Marcus confirmed, shivering. "Lily found the manifests. But last night... last night wasn't about the drugs. It was worse."

"Explain."

"Lily got a tip that Julian had an off-campus warehouse where they brought girls from the rush parties. Girls who had been dosed. She went to Hartmann alley last night because Julian’s lieutenant, a guy named Trent Brody, agreed to sell her the ledger with the dates, the names, and the videos they used for blackmail."

"It was an ambush," I said.

"Trent set her up," Marcus choked out, tears cutting tracks through the dust on his cheeks. "I was across the street on the roof of the parking deck with an 800mm telephoto lens. I saw Julian walk into the alley. He didn't come to negotiate. He had a metal baseball bat wrapped in black athletic tape. He told her... he screamed at her that she was a nobody from a trailer-trash family and that his father owned the police, the judges, and the ground she stood on."

The world seemed to drop into absolute zero. My pulse slowed to a methodical, rhythmic crawl.

"You saw him swing?" I asked.

"I saw everything," Marcus whispered. "And then Julian looked up at the parking structure. He saw the flash of my lens in the sodium light. That’s when I ran. I dropped my secondary gear, sprinted down the fire escape, and threw myself into an alley trash bin until his guys cleared out."

Before I could answer, the sharp, concussive crack of breaking glass echoed through the repair shed.

Marcus froze, his face draining of all color.

At the far end of the warehouse, three figures stepped through the shattered window frame of the office annex. They wore heavy dark jackets, baseball caps pulled low, and carried steel crowbars.

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The man in the lead spat a toothpick onto the dirt floor and smiled.

"Well, look at that," he called out, his voice reverberating against the tin ceiling. "The little photographer found himself a babysitter."

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