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Chapter 4 - The Photograph

Marissa took my phone from my hand.

“Don’t respond.”

“I wasn’t going to.”

“You were thinking about it.”

I looked toward the hotel window. The curtains were still open.

Marissa crossed the room and pulled them shut.

The photograph had been taken from across the street. I could see the hotel entrance behind me, the brass luggage cart, and the edge of Marissa’s car.

Someone had followed us.

Marissa called hotel security while I forwarded the number and photograph to the police officer who had taken my report. He told me not to leave the room and said a detective from the financial crimes unit would contact me in the morning.

“That’s not fast enough,” Marissa said after I ended the call.

“What do you suggest?”

“We move you.”

“It’s almost midnight.”

“Exactly. Whoever sent that message expects you to be here.”

Hotel security reviewed the entrance cameras. A dark sedan had stopped across the street soon after we arrived, but its license plate was obscured.

We relocated to another hotel under Marissa’s name.

By two in the morning, exhaustion settled into my bones, but sleep refused to come.

Every time I closed my eyes, I saw Keaton sitting at our table, calmly announcing that he was giving his paycheck to Bernice because my income was enough for everything.

It had not been a spontaneous decision.

It had been the next stage of a plan.

They needed my salary available because my credit was collapsing beneath debts I did not know existed.

At seven the next morning, Detective Lena Ortiz called.

She had already reviewed my initial report.

“Your case may connect to an ongoing investigation,” she said.

“Into Dominic Voss?”

There was a pause.

“How do you know that name?”

“He’s listed as the company’s registered agent and partial owner.”

“Do not contact him.”

“I wasn’t planning to.”

“Do not contact your husband or his family either.”

“That may be difficult.”

As if summoned by her words, Keaton called.

I declined it.

He called again.

Then he sent a message.

PLEASE COME HOME. WE CAN FIX THIS.

A second message followed.

MOM IS SICK BECAUSE OF YOU.

Then a third.

AUSTIN SAYS THE MEN WILL TAKE EVERYTHING.

I showed the messages to Detective Ortiz through the secure portal she sent me.

“What does Austin mean by ‘the men’?” she asked.

“I don’t know.”

“Do you believe your husband is afraid of Dominic Voss?”

“Yes.”

“Do you believe he would cooperate with law enforcement?”

I thought about Keaton’s face when the collectors appeared.

“Only if he thought cooperation would save him.”

Detective Ortiz asked me to come to the financial crimes division at ten.

Marissa accompanied me.

The office was inside an unremarkable government building with gray walls, fluorescent lighting, and vending-machine coffee. Detective Ortiz was in her early forties, with calm eyes and a voice that made every question sound simple even when it was not.

She placed several photographs on the table.

I recognized Dominic Voss from the legal database. Silver hair. Expensive suit. The kind of smile that looked practiced in front of mirrors.

The second photograph showed Austin standing beside him outside a casino.

The third showed Keaton carrying a document box into the rented office downtown.

My throat tightened.

“When was this taken?”

“Three months ago.”

Keaton had told me he was attending a weekend training seminar.

Detective Ortiz placed another document in front of me.

It was an application for a two-hundred-thousand-dollar commercial credit line.

The application included my tax returns.

My actual tax returns.

The copies I kept in the locked filing cabinet at home.

“When did you last access these?” she asked.

“About six months ago.”

“Who knew where the key was?”

“Keaton.”

She nodded.

“We believe Mr. Voss recruits people with access to high-credit individuals. He forms companies, manufactures financial histories, and borrows aggressively before shifting the money through casinos, property purchases, and foreign accounts.”

“And Austin recruited my husband?”

“Possibly.”

“Or Bernice recruited both of them.”

Detective Ortiz studied me.

“What makes you say that?”

I told her about the constant emergencies, the thirty thousand dollars in transfers, and Bernice’s terrified reaction when Austin messaged her.

Ortiz asked whether Bernice had ever worked in banking, accounting, real estate, or government records.

“No. She worked as a receptionist at a medical office before retiring.”

“Which medical office?”

I gave her the name.

She wrote it down.

“Your identity file included copies of your health insurance records, a medication list, and a signed emergency-contact form.”

My skin prickled.

Bernice had once insisted that I switch to her longtime family clinic because the doctors there were “more personal.”

I had gone only twice.

Detective Ortiz leaned forward.

“Claire, we need you to understand something. This operation did not begin eighteen months ago.”

“What do you mean?”

“The earliest document using your information was created three weeks before your wedding.”

I felt as if the chair had disappeared beneath me.

Keaton and I had been married for nearly three years.

Three weeks before our wedding, I had been finalizing seating arrangements and writing vows.

Keaton had already been using my identity.

“Are you saying he married me for my credit?”

“We’re saying we have evidence that someone began building a financial profile in your name before the marriage.”

My phone vibrated again.

This time, the message came from Keaton.

I opened it before Ortiz could stop me.

A photograph filled the screen.

My blue folder lay open on the dining table.

Beside it were my passport, birth certificate, Social Security card, and a handwritten note.

COME HOME ALONE, OR THESE DISAPPEAR FOREVER.

Detective Ortiz reached for the phone.

Before I handed it to her, another image arrived.

It showed Keaton kneeling on the apartment floor.

A man stood behind him with one hand on his shoulder.

May you like

The man’s face was outside the frame.

But the silver ring on his finger matched the ring Dominic Voss wore in every photograph.

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